鄭梃甄 cheng ting chen's hand style
cheng ting chen a Taiwanist Stone Sculptor in japan
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A blooming rose is the theme of this sculpture. Its rhythmic curves portray the gentle and soft petals stretching in all directions. Raindrops glide down in S–shape along the inmost petals. The shape of leaves modeled after wings of birds in flying motion, adding rhythmic vitality to the work.
Fingers are usually described as Wuzhishan by the Chinese. Ten fingers resemble multiple ranges of mountains in shape. The great difference in size between fingers and mountains provides boundless space for imagination.  Big and small fingers form two groups which hint at the relation of parents and children.  They are standing in a row with others just like family members in a formal picture. All the fingers grow from the earth, like mountain ranges, standing erect between heaven and earth. It suggests certain meanings concerned with humanity and Nature.
This work depicts the contour of a supple body dancing in swirling motion by rhythmic curves. The composition of volumes and negative spaces is the keynote of the sculpture, which expresses the nimbleness and energy of dancing. It also praises the vitality and power of life.